Adolf Hitler was the Austrian-born leader of the National Socialist German Workers’ Party who became chancellor of Germany in 1933 and then established a totalitarian dictatorship. His regime dismantled democratic institutions, pursued racial persecution and territorial expansion, began the European war in 1939, and organised the Holocaust, in which six million Jews and millions of other victims were murdered. He died by suicide in Berlin in April 1945 as Nazi Germany collapsed.
Historical fiction generally uses Hitler as the embodiment of the Nazi state or as an ominous presence whose decisions shape the lives of other characters. Robert Harris’s alternate-history thriller Fatherland imagines an ageing Hitler presiding over a victorious Reich in 1964, while novels such as Markus Zusak’s The Book Thief and Anthony Doerr’s All the Light We Cannot See depict the society, war and persecution created by his rule rather than making him the central character.
In Christopher Nicole’s The Tiger, in 1944, Harry Curtis is selected for an apparent suicide mission to kill Adolf Hitler. In Rory Clements’s A Prince and a Spy, Prince George, Duke of Kent, meets his cousin Prince Philipp of Hesse, a committed Nazi with close access to Adolf Hitler. Other novels featuring Adolf Hitler include Rory Clements’s The Man in the Bunker, Rory Clements’s Invitation from a Dictator, Robert Harris’s Munich, Wilbur Smith’s War Cry, and Wilbur Smith’s Courtney’s War.
In non-fiction, Adolf Hitler is discussed in James Holland’s The War in the West: A New History, Volume 1, Damien Lewis’s SAS Great Escapes, Damien Lewis’s SAS Brothers in Arms, Ben Macintyre’s Never Surrender, and Ben Macintyre’s Forgotten Fatherland. James Holland’s The War in the West: A New History, Volume 1 approaches the subject through military command and battlefield decision-making and political ambition and government.